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• Wilhelm Dhilthey's Hermeneutic Analysis on Rahwana's the Voice of the Heart

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• Changes in the Syntactic Structure in English-Arabic Simultaneous Interpreting

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• The Stylistic Features of the Isolated Voice Attributed to the Poetical Work “Fragments of a Woman” by Suad Al-Sabbah as a Model

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• Viewing Joe Biden's Victory Speech in 2020 from the Perspective of Language Metafunction

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• The Post-Colonial Reality in Chinua Achebe’s Novel Things Fall Apart (1958)

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• On Omission in C-E Translation: From the Principle of Condensation

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• Strategies of Translating the Concomitant Accusative by Saudi EFL Learners

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• Documentary Subtitle Chinese-English Translation from the Perspective of Functional Equivalence: A Study on the Documentary China’s Fight against Covid-19

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• Hone Tuwhare Poetry: A Close Study as Native Maori Wayfinding

  Raghad Shakir Deair

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• Postcolonialism: Literary Applications of a Decolonizing Tool

  Salma Bartiza, Hassan Zrizi

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• Complying and Coping: A Phenomenological Analysis of the Lived Experiences of College Students Studying During the COVID-19 Outbreak Lockdown

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• A Corpus-Based Multidimensional Analysis of Linguistic Features between Human-Authored and ChatGPT-Generated Compositions

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• Contesting Asian-American Identity in Selected Digital Literature Works

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• Analytical Study of Remorse in Religious Texts in English and Arabic Languages

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• Comparative Analysis: Interactions between the English Past Tense and the Chinese “le” with Aspect and Modality

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• Disgust, Shame, and Guilt in A Portrait of the Artist as a Young Man and “The Dead”: A Martha Nussbaumian Reading

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